That’s what it was about.So were you unhappy with the lyric as Elvis did it? ( Log Out / "Alice Walker's 'Nineteen Fifty-Five'". STOLLER: I’ll tell you what happened: Johnny [Otis] was running the session, but Johnny had played the run-through at his house. It was not standard E-A-D-G-B-E. He said, “These guys can write you a hit.” She accepted that, and he said something like, “Now be good.” Like he was punishing a child. More than 20 years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equalled. All lyrics are property and copyright of their owners. Then you’ve really accomplished something.Aside from the groove and the lyrics, did you think Elvis, on “Hound Dog,” had a good voice? Elvis says “You ain't nothin' but a hound dog, Cryin' all the time” like how a hound dog will howl or yelp loudly -- this is like a person complaining.
As is their response to Elvis’ rendition of the song, which had the wrong groove, and wrong lyrics, something which irked the songwriters forever. Based partially on what he was singing, and how I felt it should go. “Hound Dog” Facts. If you read the stuff about the guitar solo’s and stuff. The double bass provides a steady, constant backbone for the song, both through the chorus and the guitar solo section.
But when we heard him, I think we thought he was an animal. I read that you also have a disagreement about your song “Kansas City”? It was a bond they forged when Mike looked over Jerry’s notebook of lyrics, and discovered, to his delight, that they were all written in the old blues form; the first line of a verse repeated twice, then was followed by a rhyming punch-line, as in “Hound Dog.” You ain’t nothing but a hound dog/Been snoopin’ ’round the doorYou ain’t nothing but a hound dog/Been snoopin’ ’round my doorYou can wag your tail but I ain’t gonna feed you no more, From “Hound Dog” by Jerry Leiber & Mike Stoller. I said, “Mama, it don’t go like that.”She said, “I know how it goes. But we really didn’t like it. It should be Big Mama Thornton’s record. LEIBER: It was what you heard from him. A song that shakes, rattles and rolls like a one eyed cat peeping in a seafood store. If he wanted a peanut-butter sandwich with tomatoes on a bagel, they all understood.STOLLER: [Laughs]No bagels?
LEIBER: Right. LEIBER: The line was not what I wanted. It was tuned differently.
Ostensibly, it was like an English skiffle shuffle band.So Elvis got his lyrics from Freddie Bell? One of the best records we’ve ever had of a ballad of ours was “Love Me.” One of the very best. Then he turned to me and he said, “Why don’t you perform it for her? That word is kind of replacing another kind of a word.”. And that is the meaning that people took from it. He had the smoke from this cigarette curling up into his left eye, and I was watching him.And he was singing, “You ain’t nothin’ but a hound dog,” and I said, “Yeah, yeah, yeah – that’s it.”STOLLER: And we drove back to the rehearsal [of Big Mama]. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humour of his country.”, President Jimmy Carter
Dig into the lyrics, the cultural context of the song, and hear what the artist has to say. LEIBER: Right. And he said, “Mama, don’t you want a hit?” And she said yes. But I wanted to be.” But both of them loved the blues. And he said, “These guys can get you a hit.”STOLLER: He said, “These guys write hits. Adjective: describing anyone of a macho or casanovic templar in the sense that they are flirting or whipping up a storm with the ladies. I told Mike, “I like the song idea, but I don’t like that word. AMERICAN SONGWRITER: Much of the history of “Hound Dog” has been distorted, so let’s set the record straight. LEIBER: I wrote, “You ain’t nothing but a hound dog, quit snooping round my door, you can wag your tail, but I ain’t gonna feed you no more. Hound Dog meaning. We didn’t have time to sit down and write out anything.LEIBER: I think I had the music for the very first line. It was Pete Lewis playing that guitar solo. • Burroughs, Alison Joy. Behind the Song: “Angel from Montgomery” by John Prine, Bruce Springsteen Announces Special COVID-19 Relief Concert, “Jersey 4 Jersey”. This song is about the jealousy and envy Elvis Presley aroused among "friends" and comrades (You ain't never caught a rabbit and you ain't a friend of mine) means that "friend wouldn't Be able to have a playboy girl, This is a woman yelling at her man for chasing other woman. And that was done by Little Willie Littlefield. But he did not. [Laughs]STOLLER: And Jerry said, “It’s not happening. You need to analyse it for an assignment. Alison Jones reports, Ultravox hit Vienna gets top No2 slot; MUSIC, Tickets on sale to hear sports writer speak, Houma-Terrebonne Arts and Humanities Council, Houma-Terrebonne Regional Planning Commission. Received an induction into one of music’s most coveted hall of fames, the iconic “Grammy Hall of Fame”. I started singing it in the car on the way over: “You ain’t nothin’ but a hound dog, quite snoopin’ round my door.” And I didn’t have all the lyrics.
No overdubs –. Of producing. LEIBER: I didn’t like [his] record, either. And [Johnny Otis] called me and said, “Are you familiar with Willie Mae Thornton?”I said, “No, I’m not.”He said, “Well, I need some songs.” The procedure, before that, was that we’d get a call from Ralph Bass, who was the head of Federal Records, a division of King.
In fact Elvis Presley is recognized as the premiere American musician from the 1950s and 1960s, and his rendition of “Hound Dog” is in fact his signature track . All Rights Reserved. hound dog song meaning. LEIBER: I do, but I’m a baseball player. Some people consider it your greatest song. The... Part 1 of a new series Anytime you speak to an expert about what they consider the greatest... John Prine's longtime guitarist on three essential Prine lines Jason Wilber. In considering ‘Hound Dog’ in light of its tremendous cultural and social impact, it is difficult to find a reason for this among the instruments mentioned. The way she screams it, the rage, makes it a whole different thing. Though the original “Hound Dog,” by Mama Thornton, was in E flat, and he sang it in C. LEIBER: That’s because he got the song from Freddie Bell & the Bellboys. For all the song's silliness, though, there's a not-so-tame edge to the song's back story. Change ), You are commenting using your Google account. A hound dog is bred and bought for its hunting abilities, but since the dog cannot catch a rabbit it can’t follow through with what it is meant to do -- therefore unfaithful. When we went to Radio Recorders to record it, he went to the booth, because he had to make the record, and he was ostensibly making the records. Change ), You are commenting using your Facebook account. ( Log Out / LEIBER: But when he was behind the microphone, that’s where he lived.Big Mama’s vocal on that is amazing. He was unique and irreplaceable. The point is, though, the record that is celebrated is not the record that should be celebrated. And I got up to sing the song, and half a dozen of the men – the rhythm section more than anybody else, guitar and drums, bass, whatever – sort of accompanied.Mike was not playing the piano when I turned around.
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He played the piano, I sang the song, no big deal. Find out more about the meaning of Hound Dog by Elvis Presley. But it wasn’t accurate. The last section of lyrics says, “Well they said you was high-classed, Well, that was just a lie” again coming off the theme of unfaithfulness. August 17th, 1977 (the day after Elvis’s death). There was no named producer. He did not learn the song … The song is about a gold-digging Bitch. That word hadn’t even come into the lexicon in recorded music yet. Hound dog is the euphemism for bitch.
Teenagers were coming. And that was her. Once Leiber & Stoller recognized their shared passion for blues, they started writing songs together, and were good at it. To perform.LEIBER: That’s when he was really himself. Define hound dog. . Indeed, the rhythm guitar may be the most interesting aspect of the instrumentation as it is only being played for nine bars of the twelve bar pattern. [Pause] Actually, it was greenish gray, you’re right.
How this song was pitched, received and recorded by Big Mama, who had a hit with it on what was known then as “race radio,” which meant black music, is all herein. STOLLER: Yes. What he meant was that he didn’t like pop songs. He heard a white group called Freddie Bell & The Bellboys. It bounces, jumps, growls and rages in a way that Perry Como, Frank Sinatra and the rest of those 50s velvetine crooners couldn’t compare to. More on that to follow. It became one of the biggest smashes of all time. He wrote by banging on his car, a grey-green Plymouth.
STOLLER: Her version is a woman’s song. Even if he had to strain his larynx and everything else. It’s an angry song for a woman who is really pissed off at her man, who played around on her. That was the first record. All Rights Reserved. Then the lyrics say “Well, you ain't never caught a rabbit”. He would call and say, “We’re cutting Little Esther tomorrow. LEIBER: But his biggest song of ours, I think, I feel, Mike does, I think so, too, I can speak for you, was just not up to snuff. STOLLER: No, Do you have perfect pitch?No. I learned this later. This part is a foreshadow of the unfaithfulness found in the second verse. LEIBER: It was the beginning of it. “I was a big Bebop fan. That’s what I was hearing. And we walked into Mike’s house, into the den, and he walked over – and I will never forget it, the moment is indelibly etched on my memory – he walked over to the piano, and he had a cigarette in his mouth, and the smoke was curling up into his eye, and he kept it there and he was playing, and he was grooving with the rhythm, and he was grooving, grooving, and we locked into one place.