A woman with glass in her eye takes out a shard, says, "Haven't forgotten you," and cuts his cheek. [3], For years, it was assumed that the prophecy was about Angel; however, Spike became the second vampire to have a soul then died to save the world, becoming a Champion in the process. Spike reappears in the lab and notices a buzzing lamp and a looming shadow. Elsewhere in the building, Lorne negotiates a deal as he passes Fred. Steven S. DeKnight He is slowly incinerated in the process, but not before Buffy tells him "I love you." In the follow-up series Season Nine (2011–2013), Spike bases his ship in San Francisco to be near Buffy, but eventually leaves due to the complicatedness of their relationship, setting up the miniseries Spike: A Dark Place (2012), which follows Spike and his insectoid crew aboard his spaceship. During this time, her relationship to Spike deepens and she is able to talk to him about things she feels she cannot share with the Scooby Gang. This surname became official with the publication of the canon comic Buffy the Vampire Slayer Season 11 #7, in which Buffy calls him by it. Angel chose to resign himself to death rather than let these events come to pass, but Connor and Cordelia Chase assured him that this future would not happen in any event, as Angel would never allow himself to become the man that he saw in the vision. [8] Spike and Dru were modeled on Sid Vicious and Nancy Spungen; punk, "badass" vampires to contrast sharply with the more ceremonial tradition of the Master and the Order of Aurelius from Season One. (The blonde glimpsed in Rome is later revealed to be a decoy Buffy, set up by Andrew Wells, who had researched the history between Angel, Spike and The Immortal, and thought the idea would be "hilarious". As Angel informed Marcus Hamilton during their confrontation after he rescinded his role in the Prophecy, "people who don't care about anything... Will never understand the people who do."[1]. While he prefers to seem himself as a rebel against any kind of authority, he recognizes that his devotion has allowed others to manipulate him and, at times, for him to put self-imposed limits on himself for the sake of others. [23] He becomes a more active participant in the Scooby Gang, jumping into several of Buffy's fights to provide assistance, whether she wants it or not. Later, Angel, Spike, Wesley, and Fred meet up in Angel's office, where Spike tries to get the ghosts to go away. Spike's "vampire constitution" provides him with an extremely high tolerance for alcohol (which he regularly consumes in copious quantities). Angelus regarded killing as an art, not a sport, and killed for the sheer act of evil; Spike did it for amusement and the rush.[6]. Pavayne grabs her and starts choking her. He thinks that the evil things they did in the past are the only things that will wind up mattering. Angel notes that Pavayne practiced the dark arts, which is probably why he's not in Hell and can get around the mystics. Spike's classical romanticism also manifests in his frequent references to poetry, songs, and literature; on occasion he even waxes poetic on the nature of love, life, and unlife as being driven by blood, reasoning that blood is more powerful than any supernatural force because it is what separates the living from the dead.[14][26]. Spike opens a mysterious package addressed to him. As James Marsters put it, "I was supposed to be the one who stood at the side and said, 'Buffy, you're stupid, and we're all gonna die'. But under influence of the First Evil's hypnotic trigger, Spike unknowingly starts killing again. Angel decides that they'll try to get Spike first, then deal with Pavayne. For a time, Spike argued that he might be the "true" candidate of the prophecy, with Angel being merely a "smokescreen" to draw attention away from him. In the explicitly canonical Whedon stories of 2007, Spike and Angel first appear in a joint cameo in Buffy the Vampire Slayer Season Eight (Dark Horse) as part of Buffy's sexual fantasies. He replies, "No, you don't; but thanks for saying it.

[14] Spike's first act in Sunnydale is to attack Buffy and a large group of people at her school, making his first appearance the deadliest of any of Buffy's "Big Bads", as he very nearly kills Buffy, but Buffy's mother distracts Spike long enough for Buffy to recover. From 2007, both Dark Horse Comics and IDW Publishing began telling canonical continuations of Buffy and Angel, respectively. Quick wit is one of the character's hallmarks, as Spike enjoys verbal sparring as much as physical fighting; in all his appearances, he has a habit of pithy remarks and glib insults, even toward the few he does not view as antagonists. Directed by Spike is also seen speaking/understanding Latin, Luganda (a language of Uganda, where he meets the demon shaman), and the language of Fyarl demons, two of whom he once employed as muscle during his pre-Sunnydale days.

There were strange restrictions on Spike's body for sure. There, he's harassed by more ghosts and demands to see the Reaper himself. Angel vowed to continue trying to help others even after his return from Hell and the restoration of his vampire status.[6]. Considered a 'breakout character', Spike proved immensely popular with fans of Buffy. I follow my blood. [4] Angel and Spike went on to become an effective, if argumentative, team until their final confrontation with the Circle of the Black Thorn. The Scoobies all refused, knowing there would always be a catch.[10]. [50] Spike appears in Season Eight properly at the conclusion of the "Twilight" story arc. Steven S. DeKnight Written by

Angel, in his guise as Twilight, demonstrated new powers described as a reward that made the Shanshu "look like a bunch a' crap. He tries to touch her to encourage her; she feels a spark and determines that he's there. Currently the character is in the canonical comic Buffy the Vampire Slayer Season Eleven (2016–2017) and in Buffy the Vampire Slayer Season Twelve (2018). After faking being scared, Fred admits that she knew he'd followed her there from the lobby. Assuming he was in his early to mid 20s when he was sired, Spike would be in his 140s during the series. Spike is a vampire and played various roles on the shows, including villain, anti-hero, trickster and romantic interest. Feigning weakness, he endured torturous weeks watching Angelus sexually pursue Dru as he waited for the right time to strike against his enemy. Although capable of developing sound battle strategies, Spike (particularly in the days before receiving his chip and being re-ensouled) often loses patience with anything more complicated than outright attack, as mentioned in the episode "In the Dark". Proving his worthiness by surviving the trials, Spike earns his soul back. – Spike ("Becoming, Part Two"). Season 5 Spike resigns himself to being Angel's sidekick and Angel tries to get rid of him again. His experience in crime gives him skill at picking locks, hotwiring cars and picking pockets.

Strutting around with your friends over a pint of blood.

In the comic Spike: Asylum #002, Spike's jar of blood has a label giving his assumed human birth date in 1853, about 27 years before he was sired. When Spike was transformed into a ghost-like intangible state following the destruction of Sunnydale and the Hellmouth and his subsequent materialization at Wolfram & Hart, he was capable of walking through solid objects. [51] IDW had planned to launch the series as a bona fide ongoing series, and as such it establishes a support cast for Spike suited to his position headlining the title. The arc serves to divest Spike of the ship and crew, and sets up his 2013 crossover stint in Angel & Faith ahead of an eventual return to the main Buffy series. "We like to talk big, vampires do. "[6] In "The Weight of the World" Spike mentions having spent "the better part of a century" in delinquency, suggesting criminal activities other than killing for blood.

"Now, you listen to me. Fred assures him that she's immune to Spike's charms — she just wants to help him. Spike continues to appear in the ongoing Angel spin-off series by IDW, under the pens of Kelley Armstrong, Bill Willingham and others. However, Spike's main interest in the Shanshu was generally a continuation of his rivalry with Angel rather than a specific desire to become human himself. And right now, more than anything, he wants to kick Pavayne's ass.

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