This is what prompted the marketing that portrayed it as the center-piece, the prime design. What may be quite surprising to hear is that the Eames design only won a share of second prize, but it was a tough competition with noted designers from all around the world taking part.

It soaks all the way through the leather to give the leather color and bring out the grain.

The design was a real step away from what had come before as it was no longer constrained by the need for being of ‘value’ and for mass production at low cost.

The Eames molded plastic chairs are versatile too, working as dining chairs, desk chairs, or even just a simple accent chair.

The 1946 release of the plywood furniture group would see a collection of very well thought out pieces that appealed across the board.

or Best Offer. Smithsonian/CCA+D. The three-week exhibition (13th to 31st March 1946) brought with it a huge recognition and showcased the new products to the watching world, including a rather large furniture brand. The DCM was a bridge between the new and the old. The museum bent its rules by allowing an exhibition of the brand-new plywood group, even though it could be considered commercial in nature rather than merely educational. Even by today's standards, the pricing may well be seen by many as ‘out of reach’ or at the very least ‘high value’. Talk about appealing to every crowd, there was literally no place that couldn’t handle an Eames fiberglass chair, all bases covered, and so it would go on to be.

The advertising of the chair was very much aimed at ‘the man of house’ which was normal for the times. It takes more than that and we believe the stardust of the DCM comes down to a few things namely MOMA, Herman Miller, Timing and Styling. favorite this post Oct 27 The Eames’ earlier work had concentrated on providing value for money and fulfilling that need for post war conservatism.

The technology for working in fiberglass didn’t allow for female molds to be produced, only male, which guaranteed that the craft paper mockup would be destroyed in the process. The collaboration between the Competition and Sachs seems to have been a good fit, as the President of the company Richard C. Sachs, was himself interested in the virtues of providing for the community as a whole: “Good business and profit making no longer signify solely sound merchandizing, intelligent price policies, and efficient service and deliveries to customers. It also meant that Herman Miller didn’t have to put all the money in to fund the tooling, molds, research and development as Zenith would also contribute half towards the successful creation of the product.

They were able to manufacture the chairs in plants around the US, in Chicago, LA, Cincinnati and Michigan. We can thank the heavens for this relaxation of protocol as it was the kick start for the DCM and other plywood designs. Top-grain aniline leather, on the other hand, has a fine coating of insoluble pigment on the surface of the leather. It was believed that if the armchair could be produced, the sidechair would soon follow, as its design was less complex to produce. It would be mass production at its finest, a solid and practical product, easily made, easily distributed and eagerly embraced. The color options developed were those which would most seamlessly blend with most the most number of interiors.

Aniline is a water-soluble dye. For more mid-century book ideas head over to our. Conquer in the sense that every single person, unless living a hermits life, would have heard their music or seen the mass hysteria on the television and would not go untouched by it. It was a look that clearly resonated, that had high levels of desirability and this ‘extra copy market’ was testament to this. It is more than well publicized that the whole concept of the chair revolved around them being ‘value for money’. There’s perhaps no more recognizable moniker of mid-century modern design than the Eames chair, used, of course, to describe that ubiquitous leather-and-wood lounge chair that has been making its way into interiors since 1956.But that’s just one of many iconic seats credited to the “first couple” of modern American design.
These issues were resolved with the adherence of “buttons” to the shell with epoxy adhesives where the base met which allowed for it to be screwed in and secured, as well as treating the edge of the chair with rope.

It would also see the first indication of an Eames trait whereby various chair bases utilizing the same tops could create what was essentially variants of the same thing. Attended by various leaders of the United States furniture industry, and presided over by Nelson A. Rockefeller, President of the Museum of Modern Art, the event announced the International Competition for Low-Cost Furniture Design.

Why would this chair, above any others, be just so successful? There are age old tales of the chair being designed to resemble a ‘used baseball mitt’ although the inspiration is more likely to have come from the traditional ‘gentleman’s club’ chair. Herman Miller marketing would have course play a role, they were good at it! Herman Miller Eames Vintage Mid Century Modern Fabric Office Swivel Chairs (7) $325.00.

The dimensionally correct casting would be made for a “Keller” milling machine to make a female mold of the prototype, which would then carve the opposite male die.


The fiberglass chairs were released in 1950 with the arm chair version, followed a year later with the side chair.

Made to a significantly low cost, mass produced easily and catering for domestic and commercial needs, it was the perfect design for the times.

Herman Miller 2nd Gen Eames Salmon LAX Chair. This is often followed by excellent (albeit not reaching the heights of previous work) new material, and in turn a latter career whereby they live off their earlier work.

The war time collaboration between Charles Eames and the Evans Molded Plywood Division was moving into uncharted territory post war and Evans had zero experience in the furniture industry.

The particular Eames chair was made from materials sourced within the US and without the need for neither import nor export.

$525. “Early” 1949, In keeping with the Eameses constant striving to improve their designs, Charles sought out a change in production method for the now prize winning design. Yes of course, given the success, not only with this but for the entire duration of the Eames Office, I think it is safe to say it is a given! One thing is for sure though, the Eames Fiberglass Chairs would go on to be the flag bearer of the very intention of the competition. Let's find out more.

Shortly after, still early in the production, Sea Foam Green was added, along with yellow and red. Either way, here was a chair you could place in your home or office and it literally beckoned you in and fed the subconscious with the belief that true comfort and relaxation await.

The Eames fiberglass shell chair is on display along with other models of winning designs from the International Low-Cost Furniture Competition. Time would catch up on the Fiberglass chairs in the end, seeing to their discontinuation in 1989 but demand never went away.

They would both create and sustain the legend of the ‘eames chair’ through clever and eye-catching marketing campaigns that elevated the piece as ‘world famous’ as ‘cutting edge’ as ‘the Eames Chair’.

Miller negotiated and agreed to be the sole and exclusive distributor for the range. What was so special about it? First, second and third prizes would be handed out separately for seating and storage entries.

High-density removable cushions with discrete zippers for future reupholster, cleaning, or foam replacement. Desirability brought about from so many angles, let’s explore more. Charles and Ray would spend endless hours in the factory, tweaking and making slight alterations to the specifications of each color option, often creating several chairs in one day in order to ensure perfection.


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